Showing posts with label geometry. Show all posts
Showing posts with label geometry. Show all posts

Jan 6, 2012

"Monad", by Guest Blogger, D. Garzelloni

Our own D. Garzelloni will be taking us through a few interesting concepts with her first guest blog post for ATCTE! Thanks so much, D!
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MONAD


“One principle must make the universe a single complex living creature, one from all.” - Plotinus

When I was a kid, my neighborhood friend Vicki and I invented a game. Separated from most of the neighborhood by age and gender, Vicki and I compensated by creating our own unique activities. One afternoon, while drawing in the dirt with sticks, we came up with the circle game and it quickly became our go-to game for filling time and space. First, we would draw a huge circle in the dirt and then we took turns drawing circles within the circle. We could make them any size we wanted, anywhere within the circle we wanted, eventually filling all the of the space and the game would be done. No winner, no loser. There was only one rule: in the process of drawing our circle, we could not upset any of the other circles or the main circle. Making our own marks, while maintaining the integrity of the whole; we were becoming individuals separate from each other, but still connected, connected to each other and the whole of nature.  
 

"There is geometry in the humming of the strings, there is music in the spacing of the spheres" -Pythagoras

 
Math is a difficult subject for most people to discuss even casually. Most of us struggle with math and the realization that we suck at it was, for most of us, a watershed event in our childhood. It was the first concrete limit placed on our potential and intelligence, it changed the way we were taught in school and the way we looked at the future. The few kids fortunate enough to excel at math were rewarded by being shouldered with additional academic responsibilities, the unrealistic expectations of parents and teachers and the prospect of a formal education that never ends. The math we were expected to master in school had little to do with real mathematics, and good or bad at it, we all had math ruined for us at an early age.

Imagine a time in human history when mathematics were regarded with awe, steeped in magic and mystery, rendering the secrets of the universe equally knowable to all mankind and then consider how our modern world is structured to create a sense of dread and inferiority at the mere mention of math.  Most of us would claim not to know or understand mathematics and yet, we are captivated by its principles clearly visible in nature in flowers, shells, crystals, plants, and insects. Our fear of math is a facet of our alienation from nature and ourselves, the Monad promises us reconciliation by reconnecting us with the language of the universe; Mathematics.

The ancient Greek mathematician, philosopher, and mystic, Pythagoras (c.570 - c.495BC), believed mathematical principles were the principles of all things and that all things can be known through numbers. Pythagoras, a mysterious figure who inspired messianic-like awe in his followers including Plato, was hugely influential in Western thought and philosophy as well as esoteric traditions such as Alchemy, Numerology, Rosicrucianism and Freemasonry.

Symbolizing perfection, unity, wholeness, divine nature, and design excellence, Monad is the Greek term for the principles represented by the circle. From the root word ‘menein’ which means ‘to be stable’ and monas or ‘oneness’ we get ‘Monad’. The Monad was known to the Pythagoreans as The First, the Seed, the Essence, the Builder, the Foundation, the Immutable Truth and Destiny.

Assigning a numerical value to the circle takes it out of the realm of the symbolic and brings it into the material world, where we can see concrete examples of how it works. The mathematical meaning simply reiterates the symbolic meaning. The circle symbolizes wholeness and, as wholeness preserves the identity of all it encounters, the philosophers gave it a numerical value of 1. The number one, sometimes referred to as ‘unity’, preserves wholeness, any number multiplied or divided by 1 equals the number. As a result, 1 is its own factorial, its own square, its own cube and so on.

5 ÷ 1 = 5   (5 remains itself)
5 × 1 = 5   (5 remains itself)

The circle is, quite literally, the mother of all geometric shapes. As all subsequent numbers proceed in single increments from the number one, all geometric shapes are inscribed within the Monad. All pattern and symmetry proceed from one shape. 



 
The circle is the cradle of our symbolic and mathematical universe, it embodies the characteristics of unity, everywhere the same and all circles are equal. It is the womb of our creative universe as well. The circle makes a mate for itself by contemplating itself, reflecting itself, casting its own shadow, by dividing and therefore multiplying itself. This process is mirrored though geometry in an ancient geometric construction called the vesica piscis, the Birth of the Other.  

"Life is born only of the spark of opposites." - Carl Jung


The ancients called the principal of ‘two-ness’ or ‘otherness’ the Dyad. They considered it with suspicion as it seemed to revolt from unity, distancing itself from the Monad. They referred to it as ‘audacity’ for its boldness and ‘anguish’ because of its separation from the whole. The Dyad is polarity; it is at the root of our notion of separateness, separateness from each other and from nature. The paradox of the Dyad is that while it appears to be separate, its opposite poles remember, and attract one another, which is why the ancients also called the Dyad ‘illusion’. The Dyad is at the basis for every creative process, as creativity allows us to discover and return to ourselves, in our deepest selves, we are beyond all polarity.

Discovery of the Circle is the discovery of the Self separate from the Other, an inside separate and distinct from the outside. It is our first glimpse into the perfection, polarity, unity and order inborn in ourselves and Nature. Everywhere wholeness and unity exist, yet remain unapparent, as in a seemingly simple yet profound children’s game.


Sep 15, 2011

The Sixth Cycle

Well, I feel as if we're chugging right along. I have the update here between Brian and me and I was very excited to get this package, as I am with all packages. I'm always at school when I get the mail, so I'm opening them in front of others to triumphant and impressive effect. I should mention before I start the unveiling, that Brian and Momo Luna always send nice little notes and cards and brochures (!) These two are the fanciest, I always feel as if I'm completely lame and disheveled in comparison. Especially after I know I just sent something with no extra bling, and it's way too late to remedy my lack of it. So I'll have to say now, I really appreciate and am thoroughly impressed by the bling. I'll just have to strive to be more motivated...and get more print material. Speaking of, I'll have to make new postcards for the ATCTE project too.

Now on to the show. If you'll remember, I presented Brian with a bunch of recyclables, all stuck together. And he presented me with a very nice primed canvas with a geometric pattern. Well, here's what happened next! Brian painted over the corrugated material very neatly and applied a similar element, tiny outlined circles, which corresponds to our other piece...continuity! With the piece I worked on this round, I also used acrylics, and created more of a loose wash rather than a thick coat. Some of the colors I used blended with what he used originally, creating new colors and shades. Right now, these two are the antithesis of each other, while still retaining a semblance of unity; mine being a chaotic well of a whirlpool, his being very orderly, crisp and business-like.

This round was fun, wanna see the photos?...

Cycle 6, Round 2:




Brian Sylvester to Shana R. Goetsch
Somerville, MA to Baltimore, MD







Shana R. Goetsch to Brian Sylvester
Baltimore, MD to Somerville, MA




ETA: I also just noticed that we chose the same color palette this round. It is really, very strange that this keeps happening unknowingly between many of us, especially since it's not always the same color palette. Very interesting.



Oct 23, 2010

In the Middle

Hey there, first mandala round completed by Brian Sylvester and me! I received this in the mail from Brian this past week. We both decided on a 12" x 12" format. Brian has started with a gessoed canvas, and used acrylic paints in bright colors. Much like D. Garzelloni, he has used a light grid/mathematical pattern to start his piece...


Cycle 6, Round 1:


Brian Sylvester to Shana R. Goetsch
Somerville, MA to Baltimore, MD



And in usual form, I have dug through my garbage and found stuff laying around on my floor. I used the corrugated cardboard packaging from a set of bowls, and a piece of tissue paper that I had left laying about for quite awhile because I thought it was interesting. The square of paper just happened to be 12" x 12". This was just another case of helper elves 'placing' things on my floor for me to find. Thanks lil guys...



Shana R. Goetsch to Brian Sylvester
Baltimore, MD to Somerville, MA


YAY! *dives in*

Sep 6, 2010

New Artist in the Fold

We have a new artist who will be participating in the ATCTE project! Brian Sylvester, sometimes known as Inkpunk Artworks  will be joining in the mandala making. Brain says he mainly works on canvas now, so we'll see what we get out of this collaboration! He is from the state of Massachusetts, it'll be a shorter jog for the mandalas to go between there and Maryland. Here are some examples of Brian's work (which I feel has quite the ethereal quality to it, despite the fact that there is such a controlled style in the rendering. Someone on his blog remarked that it was "Sacred Geometry". I tend to agree)...










And for some reason, I tried to comment on the last piece on his blog several times, but blogger seems to have not accepted any of them. I have no idea what happened there. So I'll say it here...the last piece is brilliant/gorgeous Brian!

Mar 31, 2010

The Geometry of Circles

I remember this one from Sesame Street, when I was little...(music composed by Philip Glass)

Feb 17, 2010

Falling Down and Getting Back Up

While the mandala was on its way to me, from Danielle, I received an email from her. I share this with her permission, but I think it illustrates one of the challenges that lie in store for each of the artists working on this series: when to stop....since it's a shared project.

"...you are gonna have to change stuff. i have a hard time with this...i usually work with an idea of a finished piece in my head and this is really painful. not know where it's going or when to stop working....working on the thing, was like i kept falling down but couldn't figure out why.

sorry i fell down on yer project.
"

(ETA: Let me clarify, that I found this letter to be so cute and humorous, because she had nothing to worry about. Yet it brought up a relevant struggle for artists, 'the letting go'. I think every one of us has had the same thought in our minds, at some point during this process. I know I felt as if I 'fell down' on it during round two with Heather.)


I also received several photocopied packets from D. along in the package. One is called "Animal Speak" and has a lot of information about spiders in it. The other is a packet entitled, "A Beginner's Guide to Constructing the Universe" which contains information regarding the Breath of the Compassionate (the universe being formed around it) and eight-fold geometry.

...Grandmother Spider has eight legs, doesn't she? D. is one smart chic.

D. has hand-painted (not airbrushed!) a pattern, of which I assume to be eight-fold geometry, onto the piece she sent me this round. She used gold, which is one of the colors she told me she has been using a lot lately. I went a different route, and used a reductive method on the piece I worked on. I scraped the paint from the wrapping paper in selected areas (no easy task), and added an Egyptian-looking eyeball (it's actually Alicia Key's eyeball) because I felt that the pattern was reminiscent of the lotus flower and other Egyptian symbols. Here we go...

Cycle 3, Round 2:




D. Garzelloni to Shana R. Goetsch
Chicago, IL to Milwaukee, WI










Shana R. Goetsch to D. Garzelloni
Milwaukee, WI to Chicago IL